===================================================================== A GUIDE TO AVON/TARRANT FAN FICTION ====================================================================== NOTES: (1) The abbreviations used are: A = Avon B = Blake C = Cally D = Dayna G = Gan J = Jenna O = Orac oc(s) = original character(s), unspecified or assorted ocf(s) = original character(s), female ocm(s) = original character(s), male Se = Servalan So = Soolin Ta = Tarrant Tr = Travis V = Vila Z = Zen ======================================================================== Anonymous, "Cross-grain" (A/Ta), from the short-lived BLAKE'S 7 STORY CIRCUIT Kai Aurelius, "Prisoners: The Shattering" (A/Ta), THE BIG B7 ZINE (1993) Natasha Barry, "Haunting Avon" (A/B, A/Ta), BLAKE, RABBLE & ROLL #2 (1990) London Bates, "Nearly Beloved/Rogue" (A/Ta, A/B, B/Ta), THE UNIQUE TOUCH (mm, 1985); also in SOUTHERN LIGHTS SPECIAL #2.5 (1986); and, as "Nearly Beloved," in BLAKE'S SEVEN: THE OTHER SIDE #1 (1986) Leslie Boucher, "Return to Life" (A/Ta, A/V), REBEL DESIRES #1 (1995) Riley Cannon, "B/A/Ts" (A/B/Ta threeway), SONGS OF EXPERIENCE (1994) Riley Cannon & Cami O'Tool, "Quest for Fire" (A/Ta), REBEL DESIRES #1 (1995) Cami, "Strange Interlude" (A/Ta), AQUATAR #2 (1990) Cassandra, "Celebrating Life" (A/Ta/V threeway), SOUTHERN COMFORT #7.5 (1993) Cassandra, "A Chance You Have to Take" (A/Ta), REBEL DESIRES #1 (1995) Cathy Conrad, "Brawn Before Brains" (A/Ta), THE LAUGHING MUTOID #2 (1989) Cathy Conrad, "Amagon Nights" (female A/Ta, male C/female V, female A/male C), THE LAUGHING MUTOID #2 (1989) Susan Cutter, "Anniversary" (A/Ta) DIVERSE DOINGS Drew Flynn, "And Then There Was One" (A/Ta), RESISTANCE #8 (1994) Dorian Gale, "Bondsmate" (A/Ta), SOUTHERN COMFORT #6.5 (1991) Gael X. Ile (=M. Fae Glasgow), "The Gauntlet" (A/Ta), OBLAQUER (1989) Grennen Barrett (=A. L. Hughes), "Black Leather and Stud" (Ta/Avon's glove), OBLAQUER (1989) Leigh Graham (=A. L. Hughes), "Leitmotif" (A/Ta; The Sisterhood Trilogy II), OBLAQUER (1989) Pat Jacquerie, "Duty" (A/Ta), SOUTHERN COMFORT #9.5 (1996) Pat Jacquerie, "A Marketable Commodity" (A/Ta), DARK FANTASIES #4 (mm, 1996) Linda Knights, "Returned Favors" (A/Ta) (re-released from Knightwriter Press; not sure where it was originally published) Erica Leonard, "A Helping Hand" (A/Ta), MAGNIFICENT TAILS, TOO (1989) Jane Mailander, "The Pilot's Tail" (A/Ta), OBLAQUE SEXTUS (1993) Mistral, "Mice and Men" (A/Ta etc.), SOUTHERN COMFORT #7.5 (1993) Sean Charles (=Brendan O'Cullane), "Delta" (Ta/V, A/Ta, A/V), AQUATAR #1 (1988); reprinted in DOUBLE VISION (1993) Mal O'Dar, "Sub-duction" (A/Ta), AVON, ANYONE? (1987?) Mal O'Dar, "Such a Stupid Waste" (A/Ta), AVON, ANYONE? (1987?) ORACxL, "Fireworks" (D/Ta, A/Ta), THE BIG B7 ZINE (1993) Paula, "Stress Factors" (A/Ta; sequel to The Bondstone), SOUTHERN COMFORT #4.75 (1988) Paula, "Change of Pace" (A/Ta), AVON CALLING II (1991) Paula, "Nightmusic" (A/Ta), SOUTHERN COMFORT #6.5 (1991) Paula, "Nightsongs" (A/Ta; sequel to Nightmusic), SOUTHERN COMFORT #9.5 (1996) Trinity Pawling, "Engagement" (A/Ta), DARK FANTASIES #3 (mm, 1995) Corona Polvanthus, "Instruments of Darkness" (A/Ta), DARK FANTASIES #3 (mm, 1995) Margaret Pitcher, "A Fate Worse Than Death" (A/Ta), BLAKE'S SEVEN: THE OTHER SIDE #8 (1992) Randym, "Commitment" (A/Ta), SOUTHERN COMFORT #6.5 (1991) Randym & Cami, "Companions" (A/Ta), AVON CALLING III (1994) Lexa Reiss, "Scorpio Blues, and Green" (A-V/Ta), TEN-CREDIT TOUCH (1993) Salome, "Blood and Shadows" (A/Ta, Se/Ta), DARK FANTASIES #2 (mm, 1994) Henrietta Street, "Pride Goeth Before" (A/Ta) FORBIDDEN ZONE #3 Willa Shakespeare, "Gremlin" (gen), RESISTANCE #8 (1994) Willa Shakespeare, "Getting Lucky" (A/Ta, sequel to Gremlin), RESISTANCE #8 (1994) Kate Singer, "Hide and Seek" (post-A/B A/Ta), EVASIVE MANEUVERS (1994) Henrietta Street, "Pride Goeth Before" (A/Ta), FORBIDDEN ZONE #3 Winona Symonds, "The Nature of the Beast" (Ta/V, A/Ta, A/V), AVON CALLING I (1990) Illne Vertell, "Through the Looking Glass" (A/Ta/V threeway), THE BIG B7 ZINE (1993) ============================================================================ Copyright 1997, Sarah E. Thompson. All rights reserved.